In the Sicilian photographer’s latest work, collected in a book and displayed in an exhibition, the images tell us about lacerations and contrasts. A deep reflection on the theme of pain, on the world and on photography itself.
Gibellini Project is a young company that has combined the latest technology with an ancient charm. Because even today a great number of enthusiasts like to go back to shooting as they did in the nineteenth century: with “plates” and a view camera.
We decided to try, with this editorial, to trace an original narrative inspired by a famous surrealist practice: a twine of words and images of different authors, that give us back a maybe unlikely, certainly unconventional and free, vision of a moment that will remain – and must remain – in our collective memory for a long time.
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