The environment: a pressing subject to which the world of photography is paying more and more attention. The photographers have addressed the theme with very different approaches. On the one hand, the investigation and the denouncement of the consequences, often dramatic and irreversible, of climate changes and unsustainable growth that has destroyed habitats and ecosystems and endangered several species. On the other, the search for the beauty of nature and the celebration of it. As stated by Joe Sartore, one of the most committed photographers on the environmental front, photography is a very powerful tool, “capable of showing environmental problems as nothing else can and it can bring people to worry about it “.
Michele Borzoni tells us about his latest book, Workforce: the project aims to open a window on the most critical and least explored aspects of contemporary work. A completely new jobs scenario, whose iconography differs greatly from that traditionally associated with the idea of production.
Roger Ballen’s photographs are not easily described with words. After all, the same author stated: “Photography has nothing to do with words. My job is to organize visual relationships. “And he warns slyly:” If my images make you uncomfortable, you should understand why. Maybe they touched something deep inside you. That is not my problem, but it could be your problem”.
Grüne Linie è il nome ufficiale della Linea Gotica, l’estrema difesa lungo l’Appennino tosco-emiliano dell’esercito tedesco in ritirata. Giancarlo Barzagli ci accompagna in un’esplorazione dei luoghi, dei reperti e dei volti di un territorio profondamente segnato dalle fase conclusive della Seconda Guerra Mondiale.
In Livorno, at the biblioteca dei Bottini dell’Olio – The exhibition “Photographic memory | Story of a collective recovery”. On the night of 9 September 2017, a violent storm hit the city of Livorno, causing the heavy toll of nine victims and hundreds of flooded homes. One of these, is the home of Daniele Dainelli’s family.
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