The photographs of young Kubrick as a brilliant and promising photojournalist for the magazine “Look”, before starting a career in filmmaking: a precious testimony of the precocious and extraordinary narrative ability of the future director.
Acclaimed director and also an internationally renowned photographer, between the Sixties and the Eighties, Wenders learned the art of cinema and found in the Polaroid a perfect complementary element to his research. With which he “plays” to describe places, spaces, encounters, obsessions.
Woven with familiar and archival footage as well as images shot by the author in Venice, the film shows a sensitivity to the image close to photography. To photography as an introspective practice, as self-knowledge through the places that led the director to investigate both his father and the city.
Andrei A. Tarkovsky, son of the great Russian director, talks about his father’s intense relationship with Polaroid, which he used on set and in his private life. An irreplaceable travel companion, a visual notebook, a tool to freeze a fragment of reality, to stop time and project it into an infinite and absolute space.
From photography to cinema: the stages and the brilliant pioneers that led to the birth of the seventh art.
Now that virus containment restrictions are easing almost everywhere, much is said about the “world to come”. Can photography open our gaze to other worlds?
A compelling, in-depth photographic investigation about Transhumanism, a movement that aims to improve man’s mental and physical performance through the use of science and technology.
With rare wisdom and sensitivity, the author makes us perceive that he has shared his own loneliness with that of the subjects portrayed, in a union of hearts that beat furiously and together.
The Ivorian photographer has tried not only to tell the wounds of her country but also to mend them, metaphorically, through a meticulous and careful embroidery work on the photos she has taken and then printed on canvas. “Ça va aller” is the project that won her the eight edition of the prestigious Prix Pictet.
As it often happens when travelling, you start looking for something and end up finding something else. And in my case at some point it became unimportant to answer the initial question, to know if the Danes were really the happiest population in the world.
A project that makes waste a revolution and that, through an artistic story, has been able to trace the line of such an important challenge: benefit – in terms of energy, environment and society – from what is destined to be wasted.
It is not just a photographic project, but the demonstration that change starts from the will of each individual, that sharing is a very powerful weapon. To fight prejudice against “unconventional love”, which is still considered illegal in many countries.
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