A photography book and an exhibition in Montalcino tell about the soul of a wounded territory through its landscapes: places of history and culture, “resonant with human suffering and dignity”.
Michele Borzoni tells us about his latest book, Workforce: the project aims to open a window on the most critical and least explored aspects of contemporary work. A completely new jobs scenario, whose iconography differs greatly from that traditionally associated with the idea of production.
The most effective story about this long history of social injustices and gruelling environmental struggles is the investigation by the Franco-Venezuelan photojournalist Mathieu Asselin with his Monsanto project. A photo investigation, tells the story of Monsanto that, from the beginning, has been known for the little transparency of its conduct, controversies with scientists and public opinion, investigations, cover-ups and scandals.
Can photography change the world? At least it can help. Images are an influential tool and they can drive attention on urgent issues. A book has been published in 2018: Photographers against wildlife crime, that managed to bring together 24 renowned wildlife photographers and their acclaimed works, creating a powerful visual narration to report international wildlife crime.
Grüne Linie è il nome ufficiale della Linea Gotica, l’estrema difesa lungo l’Appennino tosco-emiliano dell’esercito tedesco in ritirata. Giancarlo Barzagli ci accompagna in un’esplorazione dei luoghi, dei reperti e dei volti di un territorio profondamente segnato dalle fase conclusive della Seconda Guerra Mondiale.
Martin Parr, fotografo britannico famoso in tutto il mondo, molto amato dal pubblico, curatore, editore, grande appassionato e collezionista instancabile di libri fotografici, pubblica nel 2012 Life’s a beach, curato da Xavier Barral per Aperture.
by Dario Orlandi _ “Set square, mouth; mouth, flags; flags, razor blades; razor blades, stairs … “Thus said it seems the coded language of…
In his latest book, “Rebuilding my days in New York 1958-2018”, Martino Marangoni retraces his relationship with the American metropolis which started in the 50s and never stopped.
140 shots of the book, divided into 8 thematic sections which tell rituals, habits, traditions of a highly symbolic place, the Tsukiji fish market (Tsukiji shijō) in Tokyo.
“Un’autentica bugia” [An authentic lie] one of the most interesting and complete essays of recent years on the ambiguous dialectic between the nature of the index/document of the photograph opposed to its ability to lie.
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