Martin Parr, fotografo britannico famoso in tutto il mondo, molto amato dal pubblico, curatore, editore, grande appassionato e collezionista instancabile di libri fotografici, pubblica nel 2012 Life’s a beach, curato da Xavier Barral per Aperture.
There is no doubt that today we are inundated with an overwhelming iconographic tide. It is exactly to give the sense of this new coexistence with images, that Erik Kessels creates an extremely significant installation in 2011, entitled 24 Hours in Photos. The artist downloaded and printed, in 10×15 postcard format, all the photographs that had been uploaded on the Flickr image sharing platform over a day.
Starting from vintage photographs that he finds in flea markets or in abandoned archives, Kensuke makes completely new images, cutting, overlapping, and overturning pieces of photos that fit together like pieces of a puzzle.
Until March 15th, the Granaries of Villa Mimbelli will host a retrospective dedicated to Letizia Battaglia. We interviewed the curator of the exhibition, Serafino Fasulo and we even managed to obtain a brief, precious exchange with Letizia Battaglia.
In his latest book, “Rebuilding my days in New York 1958-2018”, Martino Marangoni retraces his relationship with the American metropolis which started in the 50s and never stopped.
Curated by the Foam Museum in Amsterdam, where it was presented in 2018, the exhibition is the first major European retrospective in collaboration with Tomo Kosuga, director of the Masahisa Fukase Archives in Tokyo.
Halfway between anthropological research and artistic production, the work of Charles Fréger questions the concept of cultural identity through the individuals who compose the community, the dress codes they adopt and the gestures of their rituals.
With the project “Diva, no one has the right to be themselves” Alice Pastorelli is one of the two photographers awarded for the best portfolio at the Photolux Festival 2018.
140 shots of the book, divided into 8 thematic sections which tell rituals, habits, traditions of a highly symbolic place, the Tsukiji fish market (Tsukiji shijō) in Tokyo.
Sarah Moon, master of contemporary photography, is the protagonist, in Milan, of two complementary exhibitions: “Time at work” at the Fondazione Prada and “From One Season to another” at the Armani Silos.
How to face a piece of news or an image? How to find the correct source? Fontcuberta focuses on the great danger of credulity and on the importance of authenticity. Doubt and reflection on this theme make us aware and strong in the face of manipulation.
The entire photographic production of Max Pinckers develops around a double ambiguity: the ambiguity of the real – multifaceted, manipulated, interpreted, invoked – and the ambiguity of the oldest of the media invested with the responsibility of documenting it, photography.
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