THE WINDOW AND THE MIRROR
Reality or fiction, document or art. Photography, from the very beginning, has been divided between two souls. Every photographer prefers one of them, even if the boundaries are often thin. A photo depicts real objects, but can be staged during shooting or worked on later. It happened with the analogue, it happens very easily in the digital age, not always for purposes of expression.
If the intent of photography is to inform, ethical questions arise now more than ever. Perhaps part of its charm lies in the ambiguity of photography. Suspended between the real and the imaginary, we are not sure that it always tells the truth. Only if the intentions of the author are clear can we admire the double language without fear of being deceived.