“Uniform” – Identity and appearance: work uniforms in society
An exhibition that stimulates reflection around the concept of “uniform” and “work clothing” through the works by 44 great modern and contemporary photographers.
An exhibition that stimulates reflection around the concept of “uniform” and “work clothing” through the works by 44 great modern and contemporary photographers.
A portrait of a leading figure in 20th-century Italian photography: author, historian, critic, curator, his beloved Milan pays homage to him with a large retrospective dedicated to the Lombard metropolis.
The project of the young refugee who became a photographer and returned to Africa to share the passion for his art with the kids of Mali, through photographic workshops.
The Italian photographer finalist at Eugene Smith Grant, with a reportage on the devastating effect that the mining industry has had on an entire area in the heart of Peru and on its population.
An author revealed to photography lovers. Guitar and camera, Andy Summers has also been “the eye” of The Police.
Photography meets rock music: the greatest “photographers at 33 rpm” and the covers which made the history.
The Italian indie rock scene seen by Ilaria Magliocchetti Lombi.
The Japanese master who was able to capture the enigmatic and eclectic soul of “The Thin White Duke”, creating images that have become icons, during a forty-year collaboration – and friendship.
The stage photographs of the extraordinary musical film made in 1982 by Alan Parker on “The Wall” by Pink Floyd, one the most beloved album of all times in the history of rock.
The musical memory of the Big Apple enclosed in 120 pages. After this book, certain corners, certain streets of NY will no longer be the same, loaded forever with a further meaning, linked to the stories of all the rock musicians who have passed through there.
The story of the three days of “peace, music and love” which has become a legend, through images that have captured the spirit of an era.
An anthological exhibition dedicated to Margherita Verdi, where the theme of the fragment emerges as recurring in the poetry of the Florentine photographer.
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