Arte Fiera (Bologna) is an annual event you cannot miss. In this new edition, we notice some great change that impressed us. The Renovation passed from the aesthetic point of view and both from the proposals made by the galleries.
In his latest book, “Rebuilding my days in New York 1958-2018”, Martino Marangoni retraces his relationship with the American metropolis which started in the 50s and never stopped.
Enrico Stefanelli is a photographer, journalist and curator. He also holds photography workshops.
He is the founder and artistic director of the Photolux Festival.
Journalist since 1998, writer and editor for various media, from paper to the web and blogs, from TV to radio, with a focus on culture and photography.
Professional photographer since 2002 and journalist since 2004, he has worked for the main Italian publishing groups and has done portrait and documentary work for institutional and private clients.
Professional photographer and teacher, Beatrice Bruni graduated in Photography at the Studio Marangoni Foundation of Florence in 2013, where she teaches Creative Photography with mobile devices in the second year of the Triennial Course.
Chiara Ruberti is the co-director and chief coordinator of the Photolux Festival of Lucca. As a freelance curator, she collaborates with Italian institution and organizations such as Dryphoto arte contemporanea (Prato) and Fondazione Studio Marangoni (Florence).
Paolo Mazzanti has studied architecture in Florence before starting his career as a professional photographer.
Historian and art critic, she arrived at the contemporary after years of work in HR, collaborating with important online magazines and some newspapers, writing about art, photography, design, video art.
Claudia Stritof is an art historian. She writes for various newspapers and magazines and works as a writer of scientific contents for exhibitions. She has an ongoing collaboration with the ONO art gallery in Bologna.
She has been involved in photography since the late Seventies, she carried out her artistic research together with a passion for historical issues, heritage of her university years.
Curated by the Foam Museum in Amsterdam, where it was presented in 2018, the exhibition is the first major European retrospective in collaboration with Tomo Kosuga, director of the Masahisa Fukase Archives in Tokyo.
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