Michele Borzoni tells us about his latest book, Workforce: the project aims to open a window on the most critical and least explored aspects of contemporary work. A completely new jobs scenario, whose iconography differs greatly from that traditionally associated with the idea of production.
Roger Ballen’s photographs are not easily described with words. After all, the same author stated: “Photography has nothing to do with words. My job is to organize visual relationships. “And he warns slyly:” If my images make you uncomfortable, you should understand why. Maybe they touched something deep inside you. That is not my problem, but it could be your problem”.
The most effective story about this long history of social injustices and gruelling environmental struggles is the investigation by the Franco-Venezuelan photojournalist Mathieu Asselin with his Monsanto project. A photo investigation, tells the story of Monsanto that, from the beginning, has been known for the little transparency of its conduct, controversies with scientists and public opinion, investigations, cover-ups and scandals.
Can the simple celebration of natural beauty communicate the importance of protecting the environment? How to make mountains an icon of the environmental issue in general? Photographer Fabiano Ventura tries to answer those questions with his work The trail of glaciers.
“Meet Bob” is the visual tale of an encounter, a rehabilitation, of the love that man must place in the care of any animal which is sick or in need. Bob gets treated and gets to live among humans for a long time because, despite having been saved, he is no longer able to survive in the wild.
Mitch Epstein’s photographic work develops, from the earliest productions, around the delicate balance that links nature and society. A sometimes virtuous and prolific relationship, more often complex and conflictual.
Can photography change the world? At least it can help. Images are an influential tool and they can drive attention on urgent issues. A book has been published in 2018: Photographers against wildlife crime, that managed to bring together 24 renowned wildlife photographers and their acclaimed works, creating a powerful visual narration to report international wildlife crime.
by Dario Orlandi _ Biblical Genesis is the story of a gift, a betrayal and a fall. At the peak of Creation, God gives…
At MAST of Bologna the work of the photographer Edward Burtynsky, with the video-artist and director Jennifer Baichwal and Nicholas De Pencier: a visual research on Anthropocene.
Grüne Linie è il nome ufficiale della Linea Gotica, l’estrema difesa lungo l’Appennino tosco-emiliano dell’esercito tedesco in ritirata. Giancarlo Barzagli ci accompagna in un’esplorazione dei luoghi, dei reperti e dei volti di un territorio profondamente segnato dalle fase conclusive della Seconda Guerra Mondiale.
Il prossimo fine settimana, 8-9 giugno, è l’ultimo per poter visitare Fotografia Europea e dunque anche la mostra dei vincitori di Giovane Fotografia Italiana.
Una breve intervista con i curatori della mostra, Daniele De Luigi e Ilaria Campioli, ci aiuta a capire meglio intenzioni e obiettivi del progetto.
In Livorno, at the biblioteca dei Bottini dell’Olio – The exhibition “Photographic memory | Story of a collective recovery”. On the night of 9 September 2017, a violent storm hit the city of Livorno, causing the heavy toll of nine victims and hundreds of flooded homes. One of these, is the home of Daniele Dainelli’s family.
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