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X-WR-CALNAME:Photolux Magazine
X-ORIGINAL-URL:https://magazine.photoluxfestival.it/en/
X-WR-CALDESC:Events for Photolux Magazine
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200304
DTEND;VALUE=DATE:20210115
DTSTAMP:20261104T205929
CREATED:20200902T152015Z
LAST-MODIFIED:20200909T104714Z
UID:8886-1583280000-1610668799@magazine.photoluxfestival.it
SUMMARY:Jacques Henri Lartigue - Invention of happiness. Photographs
DESCRIPTION:Reopened to the public after the lockdown and extended until January 2021\, the Venetian exhibition presents 120 images 55 of which previously unknown\, all coming from the photo albums where Lartigue (1894-1986) collected his carefree shots\, in which “photography becomes the means to resurrect life\, to relive happy moments\, again and again”. \nThe exhibition traces the author’s entire career\, from the early 1900s to the 1980s\, focusing on different significant moments: the Belle Époque golden age and the life of the elegant Parisian bourgeoisie\, the car races\, the horseracing competitions\, sports and social gatherings; the “wonder” for what surrounded him\, the daily moments and family\, photographed with an ironic look\, with a playful and curious spirit; the success achieved with the exhibition at the MoMA in New York in 1963; the shots for fashion magazines and cinema\, where he worked as a stage photographer for many films. The cult of happiness\, of the fleeting moment is the fil rouge that characterizes the work of the French photographer: “images that are able to make history and at the same time be the light fragment of a deep feeling”. \n
URL:https://magazine.photoluxfestival.it/en/event/jacques-henri-lartigue-invention-of-happiness-photographs/
LOCATION:Casa dei Tre Oci\, Fondamenta Zitelle 43\, Venezia\, VE\, 30133\, Italia
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200908
DTEND;VALUE=DATE:20201102
DTSTAMP:20261104T205929
CREATED:20200914T145619Z
LAST-MODIFIED:20200914T150556Z
UID:8957-1599523200-1604275199@magazine.photoluxfestival.it
SUMMARY:Jacopo Benassi - Void
DESCRIPTION:The powerful\, raw\, mediation-free shots by Jacopo Benassi (1970) is on display at the Centro Pecci in Prato: twenty-five years of photography and projects in the first solo museum exhibition of the author from La Spezia\, who since the late Eighties has focused his attention on underground culture and the international music scene\, investigating the body through portrait\, self-portrait\, autobiographical documentation. A distinct style\, in which the flash becomes a sort of signature that totally cancels the real light. \nVoid\, the title of the exhibition\, refers to the author’s feeling about his production: an “emptying” process where the photographer gives himself entirely to the viewer\, revealing his studio\, tools\, daily objects\, the creative landscape that accompanies him in the gestation of his work. A true opening\, a “zero point” that foreshadows a rebirth. The exhibition also includes unpublished works linked to Benassi’s interest in publishing: among which the series The Belt\, a forthcoming editorial project on the industrial district of Prato. \n
URL:https://magazine.photoluxfestival.it/en/event/jacopo-benassi-void/
LOCATION:Centro per l’arte contemporanea  Luigi Pecci\, Viale della Repubblica 277\, Prato\, PO\, 59100\, Italia
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200909
DTEND;VALUE=DATE:20210215
DTSTAMP:20261104T205929
CREATED:20200916T175159Z
LAST-MODIFIED:20200919T105922Z
UID:9044-1599609600-1613347199@magazine.photoluxfestival.it
SUMMARY:Franco Guerzoni - The stolen image
DESCRIPTION:The Museo del Novecento in Milan\, in an environment that Guerzoni himself defined as “intimate” and which includes the Lantern Room and the Archives room\, hosts an exhibition dedicated to the Modenese artist (born 1948). Curated by Martina Corgnati\, the exhibition focuses on the “fragmentary character of some research seasons”\, significant pieces meeting in a dialogue of meaningful correspondences\, between painting\, matter and photography. \nWe can admire the works created by the artist in the last decade\, a journey around the theme of the “wall”\, old\, precarious\, peeling and dusty walls\, furrowed by scratches\, moulds\, cracks and saltpetre: at the beginning\, of photographic shots used as a support and then represented on canvas. Real ruins or more frequently simulated and suggestively reconstructed\, the images interact with works of the early 1970s\, born from the collaboration with his friends Luigi Ghirri and Franco Vaccari\, both photographers\, in a period of artistic experimentation very close to photography. A showcase shows a labyrinth of photographic sequences\, often unreleased\, that the author called Irrisolti (Unresolved)\, and that recall the early stages of his artistic research. Intravedere (Glimpse)\, on the other hand\, is the last chapter of this search: small rooms of chalky material whose image is hidden\, precisely “stolen” from the observer’s gaze. \n
URL:https://magazine.photoluxfestival.it/en/event/franco-guerzoni-the-stolen-image/
LOCATION:Museo del Novecento\, Piazza Duomo 8\, Milano\, MI\, 20123\, Italia
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200911
DTEND;VALUE=DATE:20201207
DTSTAMP:20261104T205929
CREATED:20200913T184445Z
LAST-MODIFIED:20200914T133529Z
UID:8986-1599782400-1607299199@magazine.photoluxfestival.it
SUMMARY:Alec Soth - I know how furiously your heart is beating
DESCRIPTION:Foam Museum in Amsterdam hosts Alec Soth’s most recent project: I know how furiously your heart is beating takes its name from a line in Wallace Stevens’ poem The Gray Room and is the result of a personal search\, born after a period of introspection\, during which Soth didn’t travel and didn’t photograph\, slowing down his work process. \nThe series marks a departure from Magnum’s photographer’s earlier work: “Rather than trying to make some sort of epic narrative about America” he explained\, this time he simply wanted “to spend time in the presence of another beating heart” and to take a glimpse of their interior life. Soth chose to concentrate on individuals from different parts of the world (the “place” was not important) and on their private spaces\, taking intense portraits of people in their home or habitat and still-lifes of their personal objects and belongings. \n
URL:https://magazine.photoluxfestival.it/en/event/alec-soth-i-know-how-furiously-your-heart-is-beating/
LOCATION:Foam Museum\, Keizersgracht 609\, Amsterdam\, VE\, 1017DS\, Olanda
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200918
DTEND;VALUE=DATE:20201031
DTSTAMP:20261104T205929
CREATED:20200914T131538Z
LAST-MODIFIED:20200914T132058Z
UID:9003-1600387200-1604102399@magazine.photoluxfestival.it
SUMMARY:Orientarsi con le stelle
DESCRIPTION:Nine authors for an exhibition\, nine intensely poetic visions\, nine different points of view all together for just one story based on the relationship between human beings\, nature and the universe. Conceived by Red Lab Gallery and Alessia Locatelli\, curated by Gigliola Foschi and Lucia Pezzulla\, Orientarsi con le stelle (Navigating by the stars) brings together thirty artworks including photos\, videos and installations. “The exhibition would look into matches between celestial geography and feeling geography.” Looking at the sky and at the stars could be an occasion to think about our relationship with nature\, learning to respect the world around us. \nAlessandra Baldoni’s evocative photos (Atlas. Cartografie del silenzio\, 2019)\, Joan Fontcuberta’s video Milagros & Co (2002)\, a challenge to the truthfulness of photography in the ironic style of the Catalan author; Dacia Manto’s branched and backlit maps (Humus Siderale\, 2020)\, the ambiguous\, almost metaphysical globes by the Norwegian artist Marianne Bjørnmyr (First Indicative Object\, 2019)\, the intense\, archaic meditation places of the series L’Ora Sospesa (2006-2009) by Occhiomagico (Giancarlo Maiocchi); and also\, the moon in the landscape (La luna nel paesaggio 2006-2020) by Edoardo Romagnoli\, the eclipses (Le Eclissi\, 1999) by Paola Mattioli\, Pio Tarantini’s surreal\, personal storytelling in a fairytale context (Cosmogonies  2010-2015) and\, finally\, the fascinating\, nocturnal images by the young Greek author Yorgos Yatromanolakis\, a project that starts from the life cycle of a butterfly to investigate the mysteries of nature (The Splitting of the Chrysalis and the Slow Unfolding of the Wings\, 2014-2018). \n
URL:https://magazine.photoluxfestival.it/en/event/orientarsi-con-le-stelle/
LOCATION:Casa Museo Boschi Di Stefano\, Via Giorgio Jan 15\, Milano\, MI\, 20129\, Italia
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201017
DTEND;VALUE=DATE:20201207
DTSTAMP:20261104T205929
CREATED:20201020T133356Z
LAST-MODIFIED:20201020T133356Z
UID:9651-1602892800-1607299199@magazine.photoluxfestival.it
SUMMARY:Guido Guidi - Lunario
DESCRIPTION:“A thirty-year long photographic journey on the theme of the Moon\, with its load of philosophical\, literary and mythological meanings”. The series of images composing the book Lunario 1968-1999 (Mack\, 2019) is now on display at the Ospitale in Rubiera (RE)\, in an exhibition which also shows unpublished materials and curated by Linea di Confine. \nIllusions\, echoes and metaphors about the moon or crescent moon reappear in a face\, in shapes or shadows\, in landscapes shot with a fish-eye lens\, until the partial eclipse of the moon in August 1999. The approach is experimental\, Guidi records a series of lunar apparitions\, investigating the technological aspects of the photographic medium to explore optical\, physical and natural phenomena. \n
URL:https://magazine.photoluxfestival.it/en/event/guido-guidi-lunario/
LOCATION:L’Ospitale\, Via Fontana 2\, Rubiera\, RE\, 42048\, Italia
ATTACH;FMTTYPE=image/jpeg:https://magazine.photoluxfestival.it/wp-content/uploads/2020/09/GuidoGuidi_Cesena_1968-copia.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201022
DTEND;VALUE=DATE:20210101
DTSTAMP:20261104T205929
CREATED:20201111T211520Z
LAST-MODIFIED:20201111T211556Z
UID:10276-1603324800-1609459199@magazine.photoluxfestival.it
SUMMARY:Harry Gruyaert - Last call
DESCRIPTION:Harry Gruyaert’s work at the Magnum Photo Gallery in Paris until December 31st\, 2020. \nThe exhibition shows a selection from his Last Call series\, a collection of images made in airports around the world. \nMember of Magnum Photos since 1982\, Harry Gruyaert (Antwerp\, 1941) is fascinated by those liminal and transitional spaces full of frustration\, queues\, and heavily scented duty-free retail opportunities\, where the theatricality of human movement is constantly on display. Airports especially\, that are\, he writes\, spaces “with a host of players gliding through as though they’re on a stage”. He has always loved to watch people there\, with their movements\, their postures\, their gazes\, the groups that they form and “the situations that occur in those peculiar moments when time is standing still.” \nThe architecture\, the furniture and the colors of an airport combine to make a sort of set\, with people acting a sort of performance slightly difficult to understand completely\, but visually effective. \nGruyaert uses to say that the human figure is not the most important thing in his photographs\, since he “was much more interested in all the elements: the decor and the lighting and all the cars; the details were as important as humans. That’s a different attitude altogether.” \nHarry Gruyaert‘s embrace of color photography set him ahead of many contemporaries in Europe at a time when the medium was widely seen as most applicable to the realm of commercial and advertising photography. \nThe complete Last Call series has been published by Thames & Hudson in 2020. \n
URL:https://magazine.photoluxfestival.it/en/event/harry-gruyaert-last-call/
LOCATION:Magnum Gallery\, 19 Rue Hegesippe Moreau\, Paris\, VE\, 75018\, Francia
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